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Ek Teri Muskaan (Slowed + Reverb)

Out 11 September 2026. One of 149 original Hindi, Marathi and English songs by Married Moonda. Touch any sleeve to hold it.

149 songs/405 videos/142 lyric pages

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About Married Moonda — My Geet AI Beats

Discover the soulful world of Married Moonda, the indie artist behind My Geet AI Beats. From heart-wrenching Hindi romantic songs like Albeli Mohabbat and Hichki Re to divine Krishna devotional bhajans like Shri Krishna Wande and Bansi Ki Dhun, every track tells a story. Explore Marathi emotional ballads, high-energy Desi trap anthems, party bangers, and peaceful instrumental music. With 149+ original songs spanning romantic, devotional, party, chill, and motivational moods — there is something for every listener. Stream on Spotify, Apple Music, YouTube Music, and all major platforms.

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Aartis, in full

Ganpati, Devi, Shiv, Krishna, Vitthal and Hanuman — the complete Marathi or Hindi text, a singable romanisation, and the English meaning of every verse. Sourced, not paraphrased.

Sukhkarta Dukhharta

सुखकर्ता दुखहर्ता

Sukhkarta Dukhharta is the best-known Marathi aarti to Ganesha, composed by Samarth Ramdas in the 17th century. Its name means “bringer of happiness, remover of sorrow”, and it is the first aarti sung at the close of Ganesha puja across Maharashtra.

Ganesha · Marathi

Ghalin Lotangan

घालीन लोटांगण

Ghalin Lotangan is the prayer that closes the aarti sequence in Maharashtra. It opens with an abhang of Sant Namdev in Marathi and then moves through four Sanskrit verses of surrender, ending with the cry of Ganpati Bappa Morya.

Ganesha and Vishnu · Marathi and Sanskrit

Om Jai Shiv Omkara

ॐ जय शिव ओंकारा

Om Jai Shiv Omkara is the aarti sung at the close of Shiva puja across north India. Its argument is unusual for an aarti: rather than praising Shiva alone, every verse sets Brahma, Vishnu and Shiva side by side and then closes by saying the three are one inside the syllable Om.

Shiva · Hindi

Om Jai Jagdish Hare

ॐ जय जगदीश हरे

Om Jai Jagdish Hare is the aarti sung to close almost every Hindu puja, whichever deity the puja was for. It was written in Hindi by Pandit Shraddha Ram Phillauri in the 1870s, and its seven verses move from praise to a plain admission of need.

Vishnu · Hindi

Jai Ambe Gauri

जय अम्बे गौरी

Jai Ambe Gauri is the Durga aarti sung through Navratri and at every Devi puja. Its twelve verses describe the goddess head to foot, then name the demons she has defeated, and close with the promise that whoever sings it receives ease and plenty.

Durga · Hindi

Om Jai Lakshmi Mata

ॐ जय लक्ष्मी माता

Om Jai Lakshmi Mata is the aarti of the goddess Lakshmi, sung at Diwali’s Lakshmi puja and on Fridays. Its seven verses argue a single unusual idea: without her there is no cloth, no food, no ceremony — prosperity is what makes worship itself possible.

Lakshmi · Hindi

Shendur Lal Chadhayo

शेंदुर लाल चढ़ायो

Shendur Lal Chadhayo is the second Ganesh aarti of a Maharashtrian puja, sung straight after Sukhkarta Dukhharta. It is in Hindi rather than Marathi, and its three verses describe a Ganesha covered in vermilion with a jaggery laddoo in his hand, then ask for nothing more than to keep looking at him.

Ganesha · Hindi, sung in Maharashtra

Jai Ganesh Jai Ganesh Deva

जय गणेश जय गणेश देवा

Jai Ganesh Jai Ganesh Deva is the Ganesh aarti of north India, sung at the start of almost every Hindi-speaking puja. Five short couplets name his parents, describe his form, list what he gives — sight to the blind, a child to the childless — and end by asking him to protect the dignity of the poor.

Ganesha · Hindi

Aarti Kunj Bihari Ki

आरती कुंजबिहारी की

Aarti Kunj Bihari Ki is the Krishna aarti of north India, sung at Janmashtami and in every Krishna temple at evening. It is unlike most aartis: each long verse is a single unbroken picture — the peacock crown, the flute, the Ganga in Shiva’s hair, the cows at dusk — that runs on without a pause until the refrain catches it.

Krishna (Vishnu) · Hindi (Braj)

Aarti Kije Hanuman Lala Ki

आरती कीजै हनुमान लला की

Aarti Kije Hanuman Lala Ki is the Hanuman aarti sung after the Hanuman Chalisa on Tuesdays and Saturdays. Unlike most aartis it is a story: in eleven couplets it retells the burning of Lanka, the Sanjeevani herb and the rescue of Lakshmana, before the gods and Anjana herself come to circle the lamp.

Hanuman · Hindi (Awadhi)

Lavthavti Vikrala

लवथवती विक्राळा

Lavthavti Vikrala is the Marathi aarti of Shiva, composed by Samarth Ramdas, sung on Mondays and through the month of Shravan. Its four verses picture a terrifying, beautiful figure — a garland of worlds, a black throat, flames in the third eye, the Ganga running from his hair — and then explain the black throat by retelling the churning of the ocean.

Shiva · Marathi

Durge Durghat Bhari

दुर्गे दुर्घट भारी

Durge Durghat Bhari is the Marathi aarti of the goddess, sung through the nine nights of Navratri and at every Devi puja in Maharashtra. Its three verses do not describe her at all; they argue that the Vedas and the philosophies failed to reach her, and that she comes quickly to anyone who simply asks.

Durga · Marathi

Yei O Vitthale

येई हो विठ्ठले

Yei O Vitthale is the aarti of Vitthal of Pandharpur, sung at Ashadhi and Kartiki Ekadashi and at every Vitthal temple in Maharashtra. It is written as a wait: the singer stands with a hand shading their eyes, watching the road, and asks the god to come — not to bless, just to come.

Vishnu (Vitthal) · Marathi

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